Tenerife's MUNA Hosts Naturajazz 2026 Festival with Vladimir Torres Quintet

The Museum of Nature and Archaeology of Tenerife presents the concert by Franco-Uruguayan double bassist Vladimir Torres as part of the International Jazz and Nature Photography Festival.

Generic image of a colorful underwater scene in the Canary Islands, featuring fish, crabs, and mollusks.
AI

Generic image of a colorful underwater scene in the Canary Islands, featuring fish, crabs, and mollusks.

The Museum of Nature and Archaeology (MUNA) in Tenerife will host the performance of the Vladimir Torres Quintet on November 20, 2026, as part of the International Jazz and Nature Photography Festival (Naturajazz 2026).

Admission to the event, which has limited capacity, is free upon collection of an invitation. Invitations will be available online two days before the concert, starting at 10:00 AM.
The Vladimir Torres Quintet, led by Franco-Uruguayan double bassist and composer Vladimir Torres, will present his fourth album as a leader, Rush. This modern and free jazz work is inspired by contemporary tensions and intimate impulses, exploring the inner urgency and the need for calm through nine original compositions.
The quintet's musical proposal is characterized by borderless jazz, drawing from European, Oriental, Latin, and urban groove influences. Collective interaction and creative freedom are fundamental pillars of their contemporary jazz language.
The ensemble is completed by Martin Schiffmann on piano, Tom Moretti on drums, Hugo Díaz on saxophone, and Constantin Meyer on trombone, musicians with whom Torres shares a close artistic complicity to shape a fluid and expressive instrumental dialogue.
In addition to the jazz concert, the Naturajazz 2026 festival features three photographic series: 'Colors of submerged Canaries', by Víctor Daniel Núñez Duarte, capturing the chromatic diversity of the islands' marine life; 'Sentinels of the ocean. The world's seabirds', by Abraham Hernández Jacinto, focusing on the migration, ecology, and conservation of these birds; and a third series inferred from the festival's context, although not explicitly detailed in the original text.
Based on information from the official source: Museos de Tenerife (15/11/2026)