Verdi's work, though perhaps less known for its catchy arias, stands out for its innovative construction of closed numbers, such as Fiesco's aria, the duet between Amelia and Simon, and the original trio that concludes the second act. The opera is also distinguished by its atmosphere and use of colors, with a notable presence of the sea, and a more developed recitative-arioso. These elements, along with the exploration of the father-child relationship and powerful dramatic music, maintain the essence of the genius from Bussetto.

The version presented in the Canary Islands' theater was of high caliber, thanks to the direction of Francesco Ivan Ciampa, who achieved a superb response from the Gran Canaria Philharmonic Orchestra (OFGC). The orchestra was deeply involved in the drama, offering an interpretation full of chiaroscuro, absolute lyricism, and great expressive force, mastering every detail with skill. The string section of the orchestra was particularly praised for its excellence and uniformity.

Among the vocal cast, Miren Urbieta's portrayal of Amelia was particularly outstanding, showcasing a significant, centered, and homogeneous voice that made a highly complex role seem effortless. Baritone Ariunbaatar Ganbaatar, in the role of Simon Boccanegra, delivered a refined and homogeneous performance, despite a minor textual slip, passionately conveying the character's energy. Germán Olvera's Paolo also demonstrated high vocal and interpretive quality.

The stage production, designed by Carlos Santos, was appealing, utilizing the depth of the stage with modular elements that provided good plastic play. Grace Morales's lighting was very effective, although the costumes were considered generic. Renato Bonajuto's stage direction was competent, not muddying the plot, but a greater ability to move and position the chorus and some singers on stage was noted as lacking.

Despite some inaccuracies in the entrances and tunings of the ACO Choir, the overall quality of the production was undeniable, culminating in an ovation that reaffirmed the value of Verdi's work.