The author, though recognized in certain literary circles, does not frequently appear in more conventional media. Born in Argentina, she has resided in Las Palmas de Gran Canaria since her childhood. After debuting with La galería de los antepasados, a work of magical realism, she has published the extensive narrative Parabere, which was a finalist for the Café Gijón Prize.

Her two works demonstrate remarkable versatility. While La galería de los antepasados emphasizes magical memory, even featuring the resurrection of deceased relatives, Parabere leans towards a more direct and experimental realism. This latter novel, which begins with a flashback to the protagonist's childhood at the Feria de Abril in Seville, takes its title from a real person: a gastronome and writer who ran a famous eatery in Madrid during the Spanish Civil War.

Parabere, co-authored with a Madrid-based editor and writer, stands out for its tribute to this culinary pioneer. The novel incorporates over 60 dishes that head the chapters, reflecting how cuisine evolved through different eras, from the Belle Époque to the post-war period, featuring delicacies ranging from «lenguado a la Parmentière» to cocido or paella.

On the other hand, La galería de los antepasados, published in 2023, is a multifaceted and reflective novel with temporal shifts. The plot unfolds in the interior of Gran Canaria, where the author spent her childhood. Although rich in Canarian idioms, these are explained in footnotes to universalize their understanding. The setting evokes a «Macondo» in San Lorenzo, on the outskirts of Las Palmas de Gran Canaria, with a narrative indebted to magical realism, where mysterious tiles enable the resurrection of deceased family members.

Through her two narratives, the author blurs the boundaries between the local and the universal, on a journey from rural to urban settings. A formal element connecting both plots is the recurring exchange of letters between characters, adding an epistolary subgenre to her style.